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    Frida Kahlo at the deYoung Museum

    Family photo

    We drove over the Bridge to the Frida Kahlo exhibition, “Appearances Can Be Deceiving” at SF’s deYoung Museum. We were a group of 7—my family of 4, plus Patrice and Susan H and her daughter. Everyone was required to wear masks and tickets were sold at 25% capacity. And, to be honest, the less-crowded galleries were a welcome change.

    The show featured many of Kahlo’s signature fashions, and the kids were delighted to spot two huipiles from Guatemala: one from Coban, the other from Totonicapan. Naturally, those were our favorite textiles. Olivia’s favorite work overall was a photograph by Tina Modotti that features corn, a guitar, and bullets. Olivia stopped short when she saw it, staring for a long time. Finally, she pulled herself away, but not before noting, “This picture says everything. Everything. Wow.”

    After our group ate a delicious snack outside the cafe, Susan snapped my family’s photo in front of the exhibition advertisement in the museum window. Besides us and the beautiful visage of Frida Kahlo, Susan caught the reflection of a 150-foot Ferris wheel that’s currently parked on the green across from the museum. The resulting image is very Diane Arbus, or so it feels to me.  

    Frida Kahlo: Appearances Can Be Deceiving” is on view at the deYoung through February 7, 2021. Timed tickets are available for purchase on the museum website.

    Frida Kahlo at the deYoung Museum Read More »

    Two more interviews

    Looking very authorly.

    I’m posting links to two more interviews.

    The first is a wonderful chat with my good friend and fellow Antioch MFA grad, writer/therapist/entrepreneur Diane Gottlieb, in which I discuss passing notes in high school, meeting my bread-baking husband while on a bicycle ride, and self-isolating (for 7 years!?) to write my novel. Thank you for the conversation, Diane!

    And the second is a very interesting exchange (can I say that when I’m the person answering the questions?!) with Apprentice House Press, in which I discuss the characters who were my favorite to write and how the story of Mother Mother was inspired.

    Thanks for reading!

    Interview with Diane Gottlieb.

    Interview with Apprentice House Press.

    Two more interviews Read More »

    “Impressively original and deftly crafted.”

    My desk with galleys.

    I’m over the moon thrilled with this review of Mother Mother in the October 2020 “Small Press Bookwatch” of Midwest Book Review, written by editor-in-chief James A. Cox.

     Critique: An impressively original and deftly crafted novel by an author with a genuine flair for the kind of narrative storytelling style that fully engages the reader’s total attention from first page to last, “Mother Mother” will prove to be an immediately welcome and enduringly appreciated addition to both community and college/university library Contemporary Hispanic Literary Fiction collections.  

    I love any review that describes me as “an author with a genuine flair”– for anything! Thank you, Midwest Book Review!

    “Impressively original and deftly crafted.” Read More »

    Two interviews, one fun and one serious

    Photo by my son, Mateo

    My book has been out in the world for more than a week and I’m sleeping better than I have for the past 7 years. Someday I’ll sit down and write about how it feels to be seized by a subject for so long. “Obsessed” can only begin to describe it. As I said earlier–here or somewhere else, I’ve lost track–I needed to tell this story and I told it. And that, my friend, is a great feeling.

    Here are two interviews! The first is a fun, short read on Hasty Book List. Thank you to Emily at Mindbuck Media for setting up this and so many opportunities for my book! My favorite quote from this interview: “If I weren’t an author, I’d be…. a Broadway dancer.” Which everyone who grew up with me knows to be true. @MindbuckMedia

    The second is an in-depth back-and-forth with Courtney Harler in The Masters Review. Courtney is a writer and editor I met at Bread Loaf in a workshop led by Luis Alberto Urrea and Naomi Jackson. Here’s an excerpt from the response to Courtney’s question about finding a home for Mother Mother at Loyola University’s Apprentice House Press. @apprenticehousepress

    The call came on a Friday night. My kids and I were roaming the aisles of Target when an unfamiliar number flashed on my phone. I started jumping up and down, screaming. My son rushed over and grabbed me. “Mom, stop,” he said. “You’re on the security camera.” The three of us fell into a group hug. I was literally sobbing. I love that my kids witnessed my moment of victory because they’d seen me endure so much failure.

    Thanks for reading!

    PS: If you’ve read my book and like it, please consider leaving a review on Goodreads or Amazon. A million thanks.

    Two interviews, one fun and one serious Read More »

    What would you do?

    Another quote I appreciate from Paul LaRosa’s commentary in New York Journal of Books:

    “O’Dwyer does a compelling job of juxtaposing the adoption experience in a way that is rarely done … The book seems to beg the reader for an answer to the question: What would you do?”

    Because no answers are simple in adoption. There is no clear conclusion. There is no black-and-white, right or wrong paradigm. There’s only gray. Which I didn’t understand going in. Which I learned only after years of parenting as an adoptive mother.

    What does it feel like to live in that uncertainty? That’s a question I wanted the reader to consider.

    What would you do? Read More »